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The music of Uzbekistan has reflected the diverse influences that have shaped the country. It is similar to the music of the Middle East and is characterized by complicated rhythms and meters. Because of the long history of music in the country and the large number of different music styles and musical instruments, Uzbekistan is regarded as the most musically diverse country in Central Asia.

Classical music of Uzbekistan

The music of what is now Uzbekistan has a very long and rich history. Shashmaqam, a Central Asian classical music style, is believed to have arisen in the cities of Bukhara and Samarqand in the late 16th century. The term "shashmaqam" translates as six maqams and refers to the structure of music with six sections in different musical modes, similar to classical Persian traditional music. Interludes of spoken Sufi poetry interrupt the music, typically beginning at a low register and gradually ascending to a climax before calming back down to the beginning tone.

After Turkestan became part of tsarist Russia in the 19th century, first attempts were taken to record national melodies of Turkestan. Russian musicians helped preserve these melodies by introducing musical notation in the region.

In the 1950s, Uzbek folk music became less popular, and the genre was barred from radio stations by the Soviets. They did not completely dispel the music. Although banned, folk musical groups continued to play their music in their own ways and spread it individually.

After Uzbekistan gained independence from the USSR public interest revived in traditional Uzbek music. Nowadays Uzbek television and radio stations regularly play traditional music.

The people's Artist of Uzbekistan Turgun Alimatov is considered by broad musical public and ethnomusicologists as the first virtuous of Shashmaqam, Uzbek classical and folklore composer, and skilled tanbur, dutar, and sato player. He has gained huge popularity not only in Uzbekistan, but around the world with his unparalleled mastery in his performances and compositions. His most famous compositions include "Segah", "Chorgoh", "Buzruk", "Navo", and "Tanovar". His image is associated with national pride and has been presented as the symbol of Uzbek classical music to the world.

Another well-known Uzbek composer is Mukhammadjon Mirzayev. His most famous compositions include "Bahor valsi" ("Spring Waltz") and "Sarvinoz." "Bahor valsi" is played on Uzbek television and radio channels every spring.

In recent years, singers such as Yulduz Usmonova and Sevara Nazarkhan have brought Uzbek music to global audiences by mixing traditional melodies with modern rhythms and instrumentation. In the late 2000s, Ozodbek Nazarbekov emerged as a new popular singer who mixes contemporary music with elements of traditional Uzbek music.

Contemporary music of Uzbekistan

Forms of popular music, including folk music, pop, and rock music, have particularly flourished in Uzbekistan since the early 1990s. Uzbek pop music is well developed, and enjoys mainstream success via pop music media and various radio stations.

Many Uzbek singers such as Shahzoda and Sogdiana Fedorinskaya have achieved commercial success not only in Uzbekistan but also in other CIS countries such as Kazakhstan, Russia, and Tajikistan.


Currently rock music enjoys less popularity than pop music in Uzbekistan. Davron Gaipov is one of the most influential rock-n-roll singers that have contributed to the development of Uzbek rock music. He had a big impact on the successful pop-rock band Bolalar. Sahar is another successful rock band that came to prominence in the early 2000s.


Rap music has become popular among Uzbek youth. Rappers such as Shoxrux and Shahryor became very popular among young people in the 2000s. However, the Uzbek government censors rap music. It has set up a special body to censor rap music because it believes this type of music does not fit the Uzbek musical culture.



Dutor (long-necked fretted lute)
Rubob (long-necked fretted lute)
Tanbur (long-necked fretted lute)
Tor (long-necked fretted lute)
Ud (long-necked fretted lute)
Gijjak (spike fiddle)
Chang (struck zither)


Karnay (long trumpet)
Nay (side-blown flute)
Qoshnay (clarinetlike instrument made from reed)
Surnay (loud oboe)


Doira (frame drum)
Dovul (drum)
Nogora (pot shape drum covered with leather on the top)
Qoshiq (spoons)
Zang (bracelets)